Why Denys shouldn’t be allowed contact with other Sapient Beings
Every time I hear about the latest atrocity by Boko Harum, I can’t help but think “Wow, they’ve really turned since A Whiter Shade of Pale“
Notes on Physics
The Probability Maxim: All possibilities are played out somewhere in Probability.
The Probability Paradox: Probability travel links universes into continua that invalidate the Probability Maxim. First noted by the Wyrm philosopher Ryzan in 720 BC.
Artonic Quantum Theory: Artonic energy can only be expended in discrete units or quanta. This limits the amount to which Probability can be fractured, thus restricting which universes can be reached from any given universe and creating multiple interlaced continua – thus preserving the Probability Maxim. Disproven when the energy value of the Artonic Quanta was shown to be beneath the minimum necessary to fracture Probability.
Meta-Probability Theory: Championed by Zurvár physicist Àeksùl this theory proposed a second dimension of Probability, creating continua inaccessible to standard Artonic Probability travel. Fell into disfavour after the death of Àeksùl in his tragic laboratory disaster.
Harmonic Probability Theory: Probability can only be fractured in discrete units, restricting what universes are accessible and creating multiple interlaced continua – thus preserving the Probability Maxim. The currently accepted solution to the Probability Paradox.
A Televisual Feast
As inspired by Reddit, some TV shows from my childhood…
The Goodies: Kitten Kong, Frankenfido, Apartheight, Clown Gas, Black Beauty, Timita, The Funky Gibbon, Rolf Harris – back in the 80s every Australian kid watched these guys religiously.
Monkey: If you were an Australian kid in the 80s, then you watched “Monkey Magic”. No exceptions. The nature of monkey was… IRREPRESSIBLE!
Catweazel: Electrickery and Telling-bones! Twelve are they that circle round, if power you seek they must be found, look for where the thirteen lies, mount aloft the one who flies…
The Mysterious Cities of Gold: Awesome! Until the Olmecs turned up, anyway. And some of those documentaries at the end were a bit dodgy. But even today I’d kill to have that boat!
Worzel Gummidge: Worzel Gummidge scared the shit out of me! He could take his head off! No!
Secret Valley: Kind of naff, but we still watched it, even while claiming that it sucked. And who didn’t want a cave base like the Spider Gang? The sequel/spin-off on the other hand was an abomination whose name I shall not even repeat. Just note that the theme song (somewhat ironically) used the word ‘poop’ a lot.
You Can’t Do That on Television: Somehow both the origin of Alanis Morrisette and Nickelodeon’s green slime.
Fraggle Rock: I particularly like the episode where they stopped eating the Doozer’s buildings. We had the version with the old inventor and his dog.
Peter Russel Clarke: Cook a shark or make a damper, feed your ego.. pack a hamper.. on a farm or out at sea, learn a recipe or threeeeeeeee… Come and get it! With Peter! G’day! Russel! G’day! Clarke! How ya goin?
Chocky: Weird and creepy! I used to spend hours drawing that picture with the spheres and pyramids.
Astroboy: OK, but more something we watched just because it was on rather than because we loved it.
Grange Hill: We thought this was kind of uncool and boring, but we still watched it because it came on in between other good shows.
Battle of the Planets: Naturally I had a crush on Princess. Nonetheless I really wanted one of those badges the bad guys wore.
Into the Labyrinth: Rothgo… Rothgo… Rothgo… Every episode was filmed in a cave, and looked like it.
Ulysses 31: Anime version of the Greek Myths. I drew picture after picture of that annoying little robot. That said, the Odyssey is one of the best spaceship designs ever!
Watch This Space: Cheaply made and pretty stupid, but they featured some amazing bands.
Kaboodle: Awesome theme music!
I am so old! 😀
Lesser Known War Machines of the Astra Militarum
The Leman Russ Expectorator
A rare model of Leman Russ battle tank, the Expectorater replaces its main armament with an Expectorator Cannon, which fires congealed globules of Space Marine phlegm at the enemy.
The limited supplies of Astartes saliva (which is collected by specialised Chapter Spitoon Servitors post-combat) restrict the use of the Expectorator to actions where it it expected to prove particularly effective, such as against Emperor’s Children Chaos Marines who have shown themselves to be horrified at the idea of being covered in rancid spit.
The Leman Russ Exasperator
The Exasperator Battle Tank swaps its main weapon with a bank of servitor powered mega-vuvuzelas. The indescribable cacophony produced has proven able to drive even Slaaneshi noise marines off the field, hands clamped firmly over their ears.
The Leman Russ Exnihilator
All attempts to create a hybrid of the Executioner and Annihilator Battle Tanks have so far met with failure, with many Astra Militarum Commanders firmly of the opinion that the Tech Adepts responsible only maintain the effort due to an unhealthy fascination with puns.
Faith, Cheese and Anime
The old black dog is biting a bit hard at the moment, hence the general lack of updates. But I thought I’d jump in and post this remarkable chart…

Click to enlarge and all.
You obviously can’t sum up the entire scope of human spirituality in one simple diagram, but it’s still a fascinating attempt.
From the sublime to the ridiculous, here’s a few things I promised Paula I’d link…
* Where’d the Cheese Go?
* Smoke Week Every Day
I’m so sorry…
Later: Oh! I also promised to link these stories from Hyperbole and a Half. No need to apologise for these, they’re great! 🙂
* Dogs don’t understand basic concepts like moving
* Wild Animal (The Simple Dog goes for a Joy Ride)
Musical Tuesdays – Tom Cruise’s G-String
Three weeks without a Musical Tuesday. Dreadful!
So I happened to catch the start 0f the Tom Cruise/Jamie Foxx vehicle Collateral the other week and was extremely impressed with the version of Air on the G String that featured.
Air on the G String is a 19th century arrangement by August Wilhelmj of part of Bach’s Orchestral Suite No. 3 in D major. By messing around with the key of the piece Wilhelmj was able to play it entirely on the G string of his violin, which is kind of unfortunate because if he’d made it fit on the A string it’d have a lot less potential for awful puns.
In any case it’s a wonderful piece and the Klazz Brothers somehow manage to turn it into jazz without damaging it in any way.
And while discussing the Air, one can’t go past Procul Haram’s A Whiter Shade of Pale (1967). The entire song draws from Bach, but the memorable organ line leans particularly heavily on the Air. The song was a massive hit and was voted joint best British pop single since 1952 in 1977 (along with Queen’s Bohemian Rhapsody).
So that’s it for this week. Enjoy!
If I Had A Million Dollars…
I’d buy you a hagfish.
(Haven’t you always wanted a hagfish?)
The Russian Village
When I was kid I was really in to the paranormal (I still am, although I like to think I’m a lot less credulous today than I was back then). At school we had a book club where they’d hand out a catalog three or four times a year and (if you could convince your parents to fork over the cash) you could put in an order, and a couple of months later the books would arrive and get handed out. Now and then the catalog would contain books about monsters, ghosts and other “unexplained mysteries” and I’d always convince my parents to buy them for me.
In one of these books – it had a rowboat being capsized by the Loch Ness Monster on the cover – there was a story that has always stuck with me.
It was about an isolated village in Russia. Just over the hill from this village was another village that had once been run by monks, but in the middle ages there’d been an investigation by the Tsar’s troops who’d discovered that the Monks were devil worshipers and had put them all to the sword. Ever since, the village had been abandoned, and even though it was surrounded by fertile land the locals wouldn’t graze their sheep on it because it was ‘cursed’. The buildings were mostly collapsed, but the church belltower was still standing on one side of the village square, which was surrounded by stone benches.
The only people who used to go to the ruins were the local youths who’d prove how brave they were by trying to run from the top of the ruins to the bottom and then back between when the sun started to set and when the last rays left the belltower. There were all kinds of stories about what would happen to anyone who failed, but no one ever came to any harm, although no one would visit the ruins after sunset.
Now supposedly in the late 1800s a teacher named Swerts was sent to the village by the government to help “modernise” the area. He’d been brought in from Germany and was highly dismissive of the Russian peasants and their beliefs. When he learnt about the ‘cursed’ ruins, he decided that he was going to prove there was nothing to the story, and announced that he was going to spend the night there. The locals tried to talk him out of it, but he was insistent and eventually convinced some of them to assist him. They set out in the afternoon before a night of the full moon, and helped him get into the belltower by stacking up some of the benches from the square. They then hurried away, promising to come back and help him down the next morning.
When the sun came up they headed back to the ruins. They reached the square and called for Swerts, but he didn’t respond. After some nervous discussion two of the bravest men climbed up into the tower. On the top floor they found Swerts, huddled in a corner in terror with his arms wrapped around his head, weeping quietly and whimpering under his breath.
They couldn’t get any sense out of him, but they managed to get him down the tower and into the square. Here he went into hysterics, shrieking in German and apparently gesturing at the piled up benches. In the end one of the villagers had to knock him out, and they carried him back to the village.
After several weeks there was no change in Swerts’s condition, so the villagers sent a message to the authorities. A new teacher was sent out, and Swerts was sent back to Germany, where he was confined to a lunatic asylum in Cologne. No one dared to visit the ruins again, and after the Soviets came to power the site was cleared and the land put back into production.
As I said, this story stuck with me for some reason, always floating around in the back of my head. As I got older I discovered that most of the stories in the book were excitingly rewritten but exaggerated accounts of well known (and often completely debunked) ‘paranormal’ incidents, but I never found any other references to that particular one.
Then a few years back a friend of mine moved to Germany for work and ended up living just outside Bonn (which is just down the road from Cologne). I jokingly asked if he could say hi to Swerts at the local lunatic asylum for me, and in the resulting discussion ended up telling him the whole story. It turned out that one of the friends he and his wife had made was a member of the local historical society and he’d said he’d ask her if any records were available.
It turns out that there was a lunatic asylum just outside Cologne in the late 19th century, and although it was destroyed during World War II some of the records survived. Looking though these (they’d recently been digitised) she found that a teacher named Ralf Swartz was admitted to the asylum in 1882 with ‘hysterical paralysis’ after a trip to Georgia. He remained an inmate until he died of a seizure in 1907 and in all that time was completely non-communicative. He simply repeated just one phrase, over and over under his breath – Die heiligen Brüder nicht gerne auf dem Boden sitzend.
“The Holy Brothers don’t like to sit on the earth”
The dâ vamikèd
The Zurvár people have a large store of legends and myths, many of which are specific to particular Houses. One story shared between almost all Houses however is the dâ vamikèd, or “Tale of Creation”, which seeks to explain the origin of the Zurvár and their culture’s strong relationship to the ocean. Versions of the story have been traced back for over 700 years, and although variations abound, the core narrative of the tale remains constant, with “the Creator” (ràvamiket) making the five important elements of Zurvár existence in a specific order common to all versions.
The version of the dâ vamikèd presented here is taken from the well respected collection of Zurvár myths and songs collated and translated into English by Gâron Kár Vèelisavik in 1987.
The Tale of Creation
In the time before the sun, the Creator needed to cross the Great Ocean. So with his hands he crafted the first boat and set sail on his journey.
But it was dark on the ocean, and the Creator could not see his way. So he took coals from his stove and threw them into the sky. They became the stars and lit his way so he was no longer lost, and he continued on his journey.
But the Ocean was empty of all life and the Creator grew hungry. So he took splinters from his oars and threw them into the water. They became the first fish. He caught a fish, and cooked it on his stove, so he was no longer hungry, and he continued on his journey.
But the journey grew long and there was no sound on the ocean but the wind and the waves and the creak of the boat. The Creator become downhearted. So he tore pieces of cloth from his sail and threw them into the air. They became the first seabirds, which danced between the waves and filled the air with their cries. He was no longer downhearted, and he continued on his journey.
But the Ocean was wide and the Creator grew lonely. So he took twine from his ropes and knotted them together. They became the first Zurvár and provided him with the company he craved. He was no longer lonely, and he continued on his journey.
After many days of sailing, the Great Ocean came to an end. The Creator beached his boat on the far shore and talked with the Zurvár, teaching them to dance and sing like the seabirds, to catch and cook fish, to navigate by the stars and to build boats of their own. He no longer needed his boat, so he pushed it into the water and set it aflame. But the boat did not sink, it burnt brighter and brighter, then rose into the sky and became the sun.
And to this day the Creator’s boat still sails across the sky every day to remind the Zurvár of the Creator and all that he taught them.
The sequence of Boat, Stars, Fish, Birds and Zurvár (often represented by the knots tied by the Creator) is found in many aspects of Zurvár society, including the standard suits of playing cards and the days of the traditional five day week. The importance of the number five to Zurvár culture is also often traced to the Tale of Creation, although it is unclear whether the primacy of five derives from the five elements of the story, or vice-versa.
The Creator character of the story has never been worshiped by the Zurvár. He (or in some versions she) is not viewed as a god, but as an important and respected ancestor. Some Houses claim direct descent from the Creator via long and complex genealogies, some of which have been proved to be accurate for as far back as the early 1100s, although nowdays those who take such tales as literal truth are far and few between.