I Wanna be Just Like You – The Tales of The Geek Underclass Soundtrack Part 1

Back in the day when I was writing the Tales of the Geek Underclass I had the idea of putting together a soundtrack of songs that featured in the stories or evoked (for me at least) that particular period in history. I never did, mostly because I got a job, which cut down on the time I had to spend on writing, and I went on antidepressants which – although making me feel much better generally – affected my ability to write anything at all. The Tales stalled and getting perilously close to twenty years later I’m not sure if I could pick them up again. A lot of memories have faded, and not only am I no longer the kid who went through it all, I’m no longer the young adult who wrote what exists of them.

I’ll never say never, but the prospects of a Geek Underclass revival are – at this point – fairly dim.

The soundtrack project however is something that’s been hovering in the back of my head for close on two decades, and now that the data sucking behemoth that is Google hosts just about every song ever recorded by mankind on YouTube it’s a lot easier to accomplish than having to locate the tracks on Napster, spend a week downloading them across dial up, burn them to CDs, design and print covers and then distribute the finished items to people who probably don’t really understand what the whole project is about in the first place.

So, let’s get on with it…

(Yes, I could make a YouTube playlist but I am averse to willingly providing Google with even more info than they have already no doubt amassed on me. If they want this data they’re going to have to scrape it damnit!)

1: The King of Wishful Thinking – Go West – 1992

As a lovelorn teen I was very keen on the name of this song and adopted it as a personal title in relation to my long running crush on the girl I’ve glossed in the Tales as Lauren Alighieri. This was in spite of the fact that the song – as was repeatedly and vociferously pointed out to me by Ryan – was clearly about a guy unable to get over a breakup and there was no way I could “miss the way that [Lauren] used to kiss me” because we’d never even so much as held hands.

2: I’m Gonna Be (500 Miles) – The Proclaimers – 1988

This was played on the bus to year 8 camp resulting in the entire year singing along with the “da da da da” bit – probably to the intense annoyance of the driver.

3: Enter Sandman – Metallica – 1991

No Tales soundtrack would be complete without something from Metallica, the favourite band of Satanic Shaun Bettar. He much preferred this to the other major cut from the Metallica album – Nothing Else Matters – which he described as a “soppy fucking love song”.

4: Just Like You – Robbie Neville – 1991

I clearly remember Ryan declaring this to be his favourite song ever. He equally clearly remembers hating it with the heat of a thousands suns. It’s funny how memory can mislead us.

5: Get Ready for This – 2 Unlimited – 1991

The early 90’s were when electronic dance music crossed into the mainstream. Most of it was appalling, and this major hit from the Netherlands was no exception. We hated it. It became for us a symbol of everything that was wrong with popular music. Its ubiquity throughout ’91 and ’92 and our burning hatred for it means that it cannot in honestly – despite its dreadful mediocrity – be excluded from any musical summing up of the Tales.

(Two additional notes: In a moment of random computer class insanity I re-coded the into music for a game where two giant gorillas threw explosive bananas at each other to the song’s synth riff, and I’ve never been able to shake the mental image that occurred to me when I first learned that 2 Unlimited were Dutch – that of two skinny old men in suspenders and flat caps with scraggly beards hanging down to their belts strutting up and down and performing dance moves on top of a canal boat.)

6: Winds of Change – The Scorpions – 1991

It’s probably difficult for anyone who grew up after the whole thing was over to appreciate just how momentous the end of the Cold War was. We’d all grown up with the fear of nuclear annihilation hovering over us, the world could end at any moment with only a few minutes warning and there was little to nothing we could do about it. Then, suddenly, in the space of a few short years it was all done. The Wall was down, the Russians were our friends and it was time to party! Paging David Hasselhoff!

Looking back from our post-9/11, Putin-on-the-warpath world the carefree days of the 90’s seem like another planet. But such has always been the way of the world.

The Scorpions’ anthem also makes it onto the album for another reason. I don’t know how the secondary school system runs nowdays, but back when the Geek Underclass were being forced through it the final two years – Year 11 and Year 12 – were optional. You generally only did them if you intended to go on to university. If you had an apprenticeship or job lined up (or if you just didn’t give a monkey’s) you could finish school at the end of year 10 and never come back. And if you stayed on, things got dead serious with only two years to prepare for the dreaded Tertiary Entrance Exam.

So for me at least, the end of 1991 was much more of an end of high school than my actual graduation at the end of Year 12 in 1993 was. It was the last time our class was complete, with a swathe of friends, enemies and bit players vanishing from the school stage. Our carefree childhoods ended and we became professional students, knuckling down and packing our brains for the TEE. Winds of Change felt like a commemoration of that transition, a graduation song a full two years early. I still remember sitting in a pew at the chapel down at Saint Brigit’s with it playing, although I can’t quite remember why we were there rather than at the school’s chapel/gym – maybe there was a volleyball game or something that day?

7: Friday I’m in Love – The Cure – 1992

There were two reasons we hated the Cure.

First of all they were Goths. Or at least they were listened to by Goths, which in our addled teenage minds pretty much added up to the same thing. Goths – strange, dark, and pale inhabitants of the GPO steps in Forrest Place – were the subject of much disdain, both in our day to day conversation and on Radio RTR’s letter request program Steregoround. We mocked them mercilessly, I even made up a Goth joke!

Q: How do you know when there’s a Goth in your freezer?

A: Face prints in the vanilla ice-cream.

I can’t think of a single reason why we despised Goths so. Possibly as close to the lowest members of the social heirarchy  we just needed some group to look down on, and Goths were a convenient target. Particularly so in that there were no Goths (obvious ones at least) at the school, and hence we had no fear of reprisals.

The second reason we despised the Cure is that they were the favourite band of one of our enemies, a girl I shall call Carisse Halter. While most of the school’s female population saw fit to simply ignore us, there was a small contingent who went out of their way to harass and belittle us, and Carisse was one of their leading lights. We would exchange insults and invective on a regular basis, and one of the most effective ways to rattle her was to mock her beloved Robert Smith. In particular I used to do a Robert Smith impression consisting of spreading out my hands, affecting a look of weepy confusion and making what are probably best described as high pitched wookiee sounds towards the sky.

Friday I’m in Love being the Cure’s biggest hit made it – in our minds – the most Gothic song ever written, and we were scathing in our disdain of it!

The irony was I actually thought it was a fantastic song and just pretended to hate it. And as the years went by and I shed the more gregarious idiocies of my adolescence I came to realise that the Cure are an amazing band with dozens of other fantastic songs. Sorry Carisse! Sorry Robert!

(I also developed a bit of a thing for Goth chicks, but that’s neither here nor there…)

8: Mistadobalina – Del tha Funky Homosapien – 1991

This was probably the first piece of hip hop our white arses ever heard. It was so catchy that we even rewrote a version about Sarge, the Chemistry teacher (for the record it wasn’t very good…).

9: The Globe – Big Audio Dynamite – 1991

We were huge fans of both The Globe and Rush by Big Audio Dynamite, so one of the two would have to feature on the soundtrack. I was particularly proud of having memorised the lyrics behind the chorus (Tryin’ to – get out this rain…).

10: Runaway Train – Soul Asylum – 1993

As a moody teen there are times when you simply have to wallow in self pity about how awful your life is and how no one cares about your feelings. One of the best songs for this during our school years – in my opinion – was Soul Asylum’s mega hit. Even today it still stands up – particularly when you realise it’s not about how your parents just don’t understand you, but about depression.

11: Heart in Danger – Southern Sons – 1990

Another song I enjoyed sulking to, Heart in Danger has not stood up anywhere near as well. The tune is still pretty rockin’ but the lyrics read like every moody teenager diary entry ever penned – which is presumably why it appealed to me so much at the time. Now it’s just pure cringe, and as such must be included in the soundtrack to remind us all of what free-wheeling, artless fools we once were!

So that’s it for today. Tune in soon for more 90’s goodness in the Tales of The Geek Underclass Soundtrack Part 2!

The Court of Ancient Grievances

Order! Order! The Court of Ancient Grievances is now in session!

It is hereby alleged that on or around the 9th of October 1998 the music reviewers of the Sunday Times newspaper stated that the song Thunderbirds are Coming Out by TISM contained “speculation about the sexual proclivities of the Thunderbirds puppets”, indicating that said reviewers had either not listened to the song, or when listening to the song did not pay even cursory attention to the lyrics.

It is furthermore alleged that on or around the 26th of February 2001 the music reviewers of the Sunday Times newspaper stated in relation to the song Heat Seeking Pleasure Machine by Paul Mac that “Paul Mac has a sexy voice”, indicating that said reviewers did not carry out any research or even bother to read the back of the CD case – both actions that would have uncovered the publicly available fact that the vocalist on said song was Tex Perkins of the Cruel Sea.

It is also alleged that on or around the 12th of June 2002 the music reviewers of the Sunday Times newspaper stated that the song Satisfaction by Benny Benassi was a cover of the Rolling Stones song (I Can’t Get No) Satisfaction, indicating that said reviewers either failed to listen to the Benny Benassi song, failed to listen to the Rolling Stones song, or equally likely failed to listen to either.

Therefore, it is the opinion of this court that the music reviewers of the Sunday Times between the years 1998 and 2002 were a bunch of complete fart-artists labouring under the weight of a total and systemic contempt for music, the music listening public and their responsibilities as employees of the Sunday Times.

How plead the defendants?

(Note: The Court of Ancient Grievances acknowledges that this all happened a long time ago, and that it might in fact have been the music reviewers of the West Australian Newspaper who carried out these crimes against fact. If so, the Court apologises unreservedly to the music reviewers of the Sunday Times who presumably did not have their heads completely up their arses.)

Buckley’s or None

Stumbled over this YouTube channel the other day…

I like this guy. Not only do his musical prejudices match mine but he sounds like a Canadian version of Randal from Clerks. Additionally there’s some real intelligence and thoughtful analysis behind all the snark.

Not safe for work, both on the basis of Buckley’s language and the truly awful music he highlights.

Also, is it just me, or does Beez in the Trap by Nicky Minaj sound exactly like Slap My Elbow by S’Mouse?

Sigh

The old anxiety/depression is hitting me hard this week. Mostly because I’ve got a number of really important jobs to get done at work and all of them are taking far longer than they should. It’s a struggle to get out of bed each morning because I’d much rather hide under the covers and call in sick. But hey, what can you do?

On another subject, I’m no great fan of this…

But can’t get enough of this…

I’m clearly insane!

Power Down

That’s a whole lotta Bach

Well, after yesterday’s (more or less) metal extravaganza, some relaxation is probably in order. So here’s some nice, soothing music with no mention of vikings, axes, pirates, blood, Gnaeus Julius Agricola or the Earth perishing in flames…

Bach – Prelude to Cello Suite No. 1
Vivaldi – Winter II Largo
Bach – Air on the G String
Bach – Jesu, Joy of Man’s Desiring
Beethoven – Moonlight Sonata
Pixies – Here Comes Your Man
Falling Joys – Lock it

Power Up

I’ve probably mentioned most of these tracks at some point or other, but I’m having a rough day at work and needed some pumping up, so here they are again…

Cro Magnon – Caledonia
Laibach – B Mashina
Tanzwut – Tocatta
Course of Empire – The Information
Amon Amarth – Valhall Awaits Me
Alestorm – Wolves of the Sea

Sure, after listening to all of those you’ll probably feel like punching someone, but that’s arguably better than wanting to fall asleep 🙂

Mock My Taste!

Every song marked with five stars in my iTunes…

3 A.M. Eternal (Live At The S.S.L.) – The KLF
All Along the Watchtower – Bear McCreary
America, What Time is Love? – The KLF
Ana Ng – They Might Be Giants
And God Created Brixton – Carter the Unstoppable Sex Machine
Angel of Harlem – U2
Annie Waits – Ben Folds
Arrival of the Queen of Sheba (Solomon) – Handel
At the Bottom of Everthing – Bright Eyes
Bomb the World (Armageddon Version) – Michael Franti and Spearhead
Bus to Beelzebub – Soul Coughing
Canon – Funtwo
Carribean Blue – Enya
Copperhead Road – Steve Earl
Dancing Queen – ABBA
Det Snurrar I Min Skalle – Familjen
Experimental Film – They Might Be Giants
Gimme Sympathy – Metric
Girl Anachronism – The Dresdon Dolls
Girl From Mars – Ash
Gloria in Excelsis Deo – Vivaldi
Go Your Own Way – Fleetwood Mac
Goodnight Moon – Shivaree
Heaven – DJ Sammy
Hold On – Tom Waits
How Soon is Now – The Smiths
Hymn to Her (7″) – Pretenders
Janie’s Got a Gun – Aerosmith
Last Train to Trancentral (LP Mix) – The KLF
Lock It (I Really Like You) – Falling Joys
Man it’s so Loud in Here – They Might Be Giants
Palaces of Montezuma – Grinderman
Read to Me – B(if)tek
Running Up That Hill (A Deal With God) – Kate Bush
Santa Monica – Everclear
Scrub – Shivaree
Serenity – David Newman
Shining Light – Ash
Something Dark is Coming – Bear McCreary
Stone Me Into the Groove – Atomic Swing
Summer Rain – Belinda Carlisle
Sweet Child o’ Mine – Guns N’ Roses
Take on Me – A-Ha
Temple of Love (Touched by the Hand of Orfa Hazra) – Sisters of Mercy
Tender is the Night (The Long Fidelity) – The Triffids
The Jeep Song – The Dresden Dolls
The Shape of Things to Come  – Bear McCreary
The Winner Takes it All – The Black Sweden
This is Gallifrey: Our Childhood, Our Home – Murray Gold
Throw Your Arms Around Me – Hunters and Collectors
Time After Time – Cyndi Lauper
True Dreams of Wichita (Live, Boston, 10-15-1996) – Soul Coughing
Walk Like a Man – Frankie Valli and the Four Seasons
Waterloo – ABBA
What’s He Building in There – Tom Waits
What Time is Love? (LP Mix) – The KLF
Wichita Lineman Was a Song I Once Heard – The KLF
Wickerman – Pulp
Wide Open Road – The Triffids
Winter (Second Movement) – Vivaldi

There’s still about 90% of my music collection to be ranked…

Saint Anger

Hahahahah! Eat me Lars!

Saint Anger was the angriest of all the Saints,
Much angrier than Saint Francis of Assisi,
Or Saint Cuthbert the Kind,
Saint Anger used to steal the other Saints’ Bibles,
And punch little children in the face,
And when they cried he didn’t mind…

I didn’t write that. It’s from a song called Saint Anger which predates Metallica’s rather dismal work of the same name by several decades. The thing is, I only know that much of it and have no idea who sang it, and it doesn’t seem to exist on the internet at all. So I’m putting it here, lest the tale of Saint Anger vanish completely from the world.

Soundalikes

PAY FOR THE BLOODY SONG!

There are two ads that are really annoying me at the moment. Not because of the products they’re advertising (although car ads, as these are, annoy me anyway), and not because of the inane claims they make about said cars (because you really need a racing pedigree engine to run down to the shops), but because of their music.

Both adds use absolutely blatent soundalikes.

A soundalike is what you get when an advertising executive decides they want to use a particular song in their ad but are refused permission by the artist, or simply don’t want to pay for the rights. So they hire some poor schlob to write and record a song that’s close enough to the orignal to sound like it while being just different enough to avoid lawsuits.

Basically it’s a legal way of bastardising a song for commercial purposes.

The songs ripped off in these two ads are Disarm by the Smashing Pumpkins, and Packing Blankets by the Eels. Disarm – being a fine example of the Pumpkins’ bleak milieu – may seem like an odd choice for advertising anything apart from selective seretonin reuptake inhibitors, but they’ve ripped off the power chords and matched them with moody shots of their pestilential vehicle while a serious voice over person makes pretentious statements about how seriously awesome it is. The Packing Blankets add is full of shots of happy families driving to the beach and having picnics and things, with the car front and centre in each shot.

Both ads drive me to distraction. I find myself yelling “PAY FOR THE BLOODY SONG YOU BASTARDS!” at the TV every time they come on.

It’s my problem. I’ll have to deal with it.

Later: OK, the ad that rips off the Eels is actually for a land development up at Alkimos. Shows how well it held my attention doesn’t it?

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