
(I would offer apologies to Fletcher Hanks, but apparently he was awful)
Disordered Thoughts and Curmudgeonly Ramblings
The Fallout fan film Operation Sunburst is pretty good!
The dialogue probably needed another round of editing to handle exposition in a way that doesn’t have characters telling other characters things they should already know, calling rocket-launcher armed troops ‘sappers’ seems odd, the mutant qilin cavalry are a bit silly (and why are they using cavalry to attack a fortified building?), and it’s weird that the NCR don’t seem to have reinvented the mortar, but overall really well done! Highly recommended for any Fallout fan!
Roll on the 17th!
Went to bed early last night because I’m tired as hell and wanted to try and catch up on some shuteye.
This plan was working tolerably well until just after 4:00am when the freaking police came knocking at my door to investigate a report of someone “screaming for help” from my apartment.
I had to hurriedly make myself presentable and give a couple of cops a tour of the place to prove that I didn’t have a body hidden in a cupboard, after which I was far too freaked out to get back to sleep.
As such I am still tired as hell, and am now wondering what sort of confusion of ideas could have resulted in such a situation.
Randomly remembering one of the most successful mistakes I ever made.
Back in the early 90s I heard an unfamiliar – but awesome – song on RTR FM’s letter request program Steregoround. I didn’t know who it was by, but guessed the name based on the lyrics, and included a request to play it again in my weekly correspondence. This got read out as follows…
Host 1: …please play The Mercy Seed by whoever sings it…
All Three hosts: NICK CAVE AND THE BAD SEATS!! *dissolve into prolonged laughter*
Host 1: That’s really clever!
Host 2: Either that or this person is a fucking idiot…
I opted not to enlighten them.
I’m a year late to the party but I’m so glad that not only has the Most Mysterious Song on the Internet been identified, but the guys responsible – FEX – are all still around and able to appreciate the love people have been directing at their work for the last 17 years.
For once it’s an internet fairy tale with a happy ending!
Kinf of chilling to think that Darius S. probably captured the only ever time it was played on the radio (likely September 17th 1984) and without that such a fantastic song would have never been remembered at all!
You may well accuse me of seeing Dagoth Ur everywhere, but you have to admit that the new Ozostium Aranthus model for Necromunda has serious Dagoth Ur energy.


(‘serious Dagoth Ur energy’ is not a phrase anyone should ever have to type)
A recent online conversation with a friend of mine in the UK…
Friend: [Son] keeps pestering me to see whether you’ve been to various liminal spaces in Australia. I tell him Australia is very big so it’s unlikely.
Me: I would be intrigued to know what liminal spaces might be available here. I didn’t know we had enough of them to count as ‘various’.
Friend: He was particularly interested in a car park in Melbourne!
Me: Well I have been to Melbourne a few times, so it’s theoretically possible that I’ve at least walked past the car park in question.
Me: Hang on, he’s not talking about the South Lawn Car Park at Melbourne University is he? Because if he is, then I have actually visited it!
Friend: Ah yes that is the one! He will be very excited!
Now what are the odds of that?

The Oksos Bekatalùn was created by the Zùrvàr scholar Cufà Bekatal Kuvàravik in -ST0281 (1781 CE) and adopted as the official standard for written Zùrvàr at the second conference of Wácuràda in -ST0139 (1839 CE).
Prior to this a number of writing systems, mostly borrowed from other cultures, were used by the Zùrvàr, however none were particularly well suited to the language, almost all being abjads and few differentiating between voiced and unvoiced consonants. After several attempts to adapt existing systems Cufà resolved to create his own from the ground up, although he leaned heavily on the Latin alphabets native to numerous alternate Earths.
In addition to resolving the issues around vowels and voicing Cufà assigned a mnemonic to each letter to aid memorisation. This made a major contribution to the rapid adoption of his oksos by a number of influential Houses and is regarded as the chief reason the Oksos Bekatalùn won out over the rival Oksos Màdi created by Malik Màdi Fìelisavik in -ST0290 (1790 CE).
Direction: In standard use Zùrvàr is written from left to right, although the reverse or even boustrophedon is used by some smaller Houses.
Final Va: Va is conventionally pronounced as /ə/ at the end of words, rather than /æ/.
Ru vs Ŕu: At the time of the oksos‘s creation the Zùrvàr language had a distinction between trilled and untrilled ‘r’. As such, Cufà included a distinct glyph for each. In the ensuing centuries this distinction has been almost completely lost, and Ru is now almost always used for both phonemes. Ŕu remains in the oksos but is used only for a small number of obscure words, or to create a sense of faux archaism, similar to the ‘ye olde’ style of English writing.
Þu vs Ðu: In casual Zùrvàr writing it is standard to use Ðu to represent both /θ/ and /ð/ with the reader relying on context to determine which is intended. The only common exception is the word yþỳsan (“respected/admired”) which is always written with Þu to avoid confusion with yðỳsan (“covered in fronds/stubs/fingers”). More formal writing and most printed materials maintain the distinction.

MacArthur Park is melting,
Green icing running down,
Somebody left the cake out in the rain,
And I don’t think that I can take it!
‘Cause it took so long to bake it!
And I’ll never have that recipe again!
MACARTHUR PARK!
MACARTHUR PAR-AR-ARK!!
IT’S MELTING!!
