Tanzwut

Qui potare non potestis, ite procul ab his festis.

A German metal band (taking their name from the medieval dancing manias and featuring bagpipes) takes a medieval Latin drinking song and sets it to Bach’s Toccata and Fuge in D Minor.

Tanzwut – Toccata (the song begins at 1:50 if you’re impatient)

I can not think of a single thing about this that is not awesome.

Free Range Ablett

Some people don’t smell like they should

AFL ‘Superstar’ Gary Ablett Jr announced today that he’s leaving the Geelong Cats and moving to the Gold Coast Suns.

The movement of AFL players between teams is something that would normally rate on my interest radar somewhere below the antics of the fleas on Paris Hilton’s chihuahua, but I’m feigning an interest this time because it’s a great excuse to pull out a reference to a strange and obscure song by the strange and obscure (and probably defunct) Perth band O!, which goes by the name of Free Range Ablett.

It goes a little something like this…

Some people smell good!
Some people don’t smell like they should,
Some people smell like a free range Ablett…

Free Range! Free Range ababababa abababa,
Ababababa abababa,

And his faithful companion the…
Egg roll, Egg roll,
Free Range! Ababababa abababa,
Gary-gary-gray-gary-gary-gary Ablett!
And his faithful companion the…
Egg roll, Egg roll,

(Those lyrics may not be 100% accurate, and the song’s actually about his dad, but hey, let’s not let that ruin the fun :))

Why Piano Matters

And nothing else

I was trawling around the net the other day (as one does) and ended up on a truly atrocious website that wouldn’t have looked out of place on Geocities in 1998. Animated gifs, marquee text, 20 point Times New Roman against a tiled background that rendered it completely unreadable – a nightmare from the depths of time and sad casualty of the browser wars. I was about to close it down before it could infect my computer with blink tags when the midi file started, and I was forced to pause and figure out what the sublime piano music emerging from my speakers was.

At first I thought it might be the Moonlight Sonata, but it wasn’t. I was wracking my brain for possible other pieces when it suddenly clicked. Nothing Else Matters. By Metallica. It was a frickin’ piano cover of Metallica! And it sounded fantastic!

I was, to use the modern phrase, quite blown away.

I’ve managed to locate a similar version of the song on YouTube by one Scott D. Davis who seems to do a lot of this kind of thing. So, enjoy!

A Played Out Picture Show

There’s nothing more boring than reading about other people’s dreams.

As is fairly normal when sleeping I had a dream last night. It was the usual incoherent mess that my dreams generally are, involving a 25th birthday party, cows, a storm, a magic book, people possessed by the spirits of ancient wizards and several episodes of Doctor Who. But it also featured a song.

In context of the dream it was by Sparklehorse, but on waking with it still in my memory it sounded a lot more like Everclear. I was able to remember one verse of it, which goes as follows…

Is it a forest in a wood? A burnt out bedroom mansion?
Is it a played out picture show? Is it a happy ending?

I have no idea what that could possibly mean, but it’s easily as good as anything Nik Kershaw ever wrote 😉

Today we all steal animals…

Machines! We are taking to the sky!

B Mashina by scary Slovenian industrial meisters Laibach is a truly epic track, redolent of all kind of weird, Reichian flying machines and apocalyptic calamities. As such I consider it extremely unlikely (no matter how much the aforelinked YouTube poster would like it to be true) that the lyrics include the phrase today we all steal animals.

It seems much more likely to me that the lines in question are today we are still, animals we are.

Of course maybe I’m wrong and the song’s really about black helicopters and cattle mutilation…

Chiddy Bang eat your heart out

I could be bounded in a nutshell, and count myself a king of infinite space, were it not that I incessantly come up with this kind of crap…

Popped into my head today fully formed…

‘Cause the real world’s just like Sea World, where I’m just a walrus and you all are tourists,

I’m not sure what this says about my brain – apart from “nothing good” of course.

Eurovison 2010 – The Saga Continues

Albania! Albania!

OK, the promised Part 2 of my Eurovision 2010 round up. Who were we up to..?

Bosnia Herzovina – “Thunder and Lightning” – VukaÅ¡in Brajic: Best described as guitar based rock pop with strings, this song wasn’t great, but with so little decent competition it punched well above its weight. Nothing really notable though. Verdict: 3.5 out of 5 (Not bad, not bad at all).

Poland – “Legenda” – Marcin Mrozinski: WEIRD! That pretty much sums up this one. And not in a good Eurovision-weird way. More in a our-singer-is-a-serial-killer way. There were a bunch of girls in national dress, biting laviciously into apples and then some weird kind of drama that resulted in the singer apparently throttling one of them to death while the others pulled off her clothes. The song itself couldn’t seem to make up its mind between opera, lounge music and Robbie William’s latest. WEIRD! Verdict: A creepy 2.5 out of 5 (very creepy).

Belgium – “Me and My Guitar” – Tom Dice: The title pretty much says it all. One guy and his guitar. A pleasant enough acoustic ballad located somewhere between Cat Stevens and Tracy Chapman. Nothing amazing but it stood out quite well among some of the other dull lunacy on show. Verdict: 3.5 out of 5 (Even if it did sound a bit like James Blunt).

Malta – “My Dream” – Thea Garrett: Apparently this year Malta decided to enter a Liza Minelli impersonator – I don’t understand this any more than you do. Her song was a passable pop ballad (a lot of ballads this year) in a strong American accent which went a bit operatic at the end and featured a guy dressed as a seagull dancing around the stage. Again – I don’t understand this any more than you do. Verdict: 3 out of 5 (Competent).

Albania – “It’s All About You” – Juliana Pasha: Juliana Pasha bears a passing resemblance to Smallville’s Alison Mack, which is something that in my opinion Eurovision should have more of. Her song was essentially an 80’s glam dance track featuring an Eraserhead lookalike on a violin and a not-bad electric guitar solo. It also had a decent beat which was nice to hear after all those slow, dull ballads. Probably my favourite track of the night (and not just because I have thing for Chloe Sullivan). Verdict: 4 out of 5 (Kick ass!).

Greece – “OPA” – Giorgos Alkaios and Friends: Musically this song is pretty stupid. But it’s so cheerful and energetic that you don’t really care. An electro/techo track with plenty of influence from traditional Greek music (or at least “Zorba’s Dance” which is the only Greek song anyone knows or cares about). The performers all wore white, rhinestone encrusted pyjamas open to the chest and yelled a lot, and there was a bit played on a mobile phone right at the end. Verdict: 3.5 out of 5 (Mindless fun).

Portugal – “Há dias assim” – Filipa Azevedo: A Portugese power ballad, performed by a girl who managed to do a remarkable Whitney Houston impersonation despite not singing in English. Not remarkable by any measure but very well performed. Verdict: 4 out of 5 (Well done).

Macedonia – “Jas ja imam silata” – Gjoko Taneski, Billy Zver and Pejcin: Macedonia couldn’t seem to make up its mind. Was it doing an 80’s pop song? Was it rap? Or was it power rock? I’ve got no idea since it kept randomly jumping between them. Far too much going on to form any decent kind of opinion as to the talents of those involved. There was a quite good impersonation of a Slash guitar solo towards the end, but it wasn’t enough to save this fairly shambolic performance. Verdict: 3.5 out of 5 (The guitar solo earned them some extra points).

Belarus – “Butterflies” – 3+2 feat Robert Wells: What’s that? Belarus are on? Oh. I see. They’re just standing there singing a heavily accented and rather dull song about butterflies. Hmmm. Have I got any email? Nope. Oh, they’re still going, OK. I wonder if I turned off the oven? Yes, I did. I specifically remember doing so. Well, look at that, the women have sprouted butterfly wings. How… interesting. Ah, they’re finished now. Good. Verdict: 2.5 out of 5 (When Mr Lordi sprouted wings it was cool. You’re not Mr Lordi.)

Iceland – “Je ne sais quoi” – Hera Björk: Björk!? Iceland have Björk!? Oh, wait, a different Björk. OK then. Hera Björk – what Terry Wogan would have called “a well set up lump of a girl” – did quite a good job on this catchy techno/piano track. Not amazing but pleasant enough to listen to. Verdict: 4 out of 5 (Sorry about the lump comment…)

So, there we go, my opinion on the first semi final. Now I’ve just got to get the second semi final written up – which will probably happen sometime before August – and watch and write up the Final tonight. Albania for the Win!

Eurovision 2010 – Part 1

Bring Back Lordi!

I had so many plans for things to do today, and got none of them dealt with. I guess I just needed a day of wasteful sloth. Oh well, I’ll be energetic tomorrow.

In the meantime, it’s the yearly schlockfest of Eurovision! Woohoo! 😀

The first semi-final was last night, the second will be tonight, and the final on Sunday. I probably won’t see all of it, it clashes with Doctor Who after all, but I’ll certainly be enjoying what I do.

Anyway, here’s my run down of the first semi-final – or as much of it as I can write before the seconf semi final starts. All performances are rated on a scale of 0 to 5 where five is the best thing ever, and zero is a good argument to nuke the country responsible…

Moldova – “Run Away” – SunStroke Project and Olia Tira: Nothing really special here. There was a glowing electric violin, a guy spinning around on a disk, and a woman in a weird white puffy skirt that made her look like an ostrich. Some of the makeup seemed to be based on the chopper pilot from Avatar and the glowing violin bow was waved around like a light sabre. The song was a passable dance track but pretty much forgettable. Verdict: 3 out of 5 (Competent).

Russia – “Lost and Forgotten” – Peter Nalitch and Friends: A fairly poor showing from Russia I thought. A slow, dreary waltz with a slightly more energetic chorus. There was some really bad acting with the singer looking mournfully at a photograph, there was a bit where one of the backup singers talk sings, glitter fell fitfully from the ceiling throughout and they threw in a wind machine for the end where the song inexplicably went all happy. Frankly the whole thing was mawkish in the extreme, and the singer sounded off key half the time. Verdict: 2 out of 5 (Poor).

Estonia – “Siren” – Malcolm Lincoln and Manpower 4: An interesting attempt by Estonia with a bunch of guys in suits and lead singer who seemed to have taken his fashion cues from the New Romantics. The song sort of sped up and down with a guy alternately playing and attacking a piano, and the singer breaking out into occasional bursts of mad dancing before calming down again. Then right at the end one of the backup singers passed out (I presume this was part of the act…). If the song had been any good it would have been quite a good show, as is the song was weak and unfocused. Verdict: A high 2 out of 5 (Weak).

Slovakia – “Horehronie” – Kristina: At last some proper Eurovision madness! Kristina and her tree people took to the stage in leaf and vine adorned druid robes and sang and danced while a second woman dressed in white stood off to the side and did nothing. In the second verse she took over the singing duties when Kristina’s dancing got out of hand. The song itself sounded like Shakira crossed with Deep Forest and concluded with the dancers throwing bits of string around. Very confusing and quite entertaining. Verdict: 3 out of 5 (Quite Competent).

Finland – “Työlki ellää” – Kuunkuiskaajat: Basically an eccentric oompa-oompa song with accordion and two women dressed in white. Oh and downright silly folk dancing. Nothing amazing but at least it had a decent beat and lots of enthusiasm. Verdict: 3 out of 5 (Competent).

Latvia – “What For?” – Aisha: A girl in a silk dressing gown and greek sandals singing an Alanis Morrisette accordion song with lyrics that had to be heard to be believed. “Uncle Joe?” “Mr God?”. People, if you’re going to sing a song in a second language at least get someone who speaks said language to check it over before performing it in front of millions of viewers. Problems aside the singer had a strong voice and performed the absolutely insane lyrics pretty well. Verdict: 3 out of 5 (Competent once you block out the words).

Serbia – “Ovo je Balkan” – Milan Stankovic: A beaming man-child with terrifying hair and one of Adam Ant’s old jackets sings a halfway decent dance track with crazy wailing horns while waving his legs around in a deranged manner. Could have done with more bass and they slipped in a stupid “radio effect” on one of the verses. Verdict: 2.5 out of 5 (Should have tried harder).

OK, the second semi-final is about to start, so check in tomorrow for more reviews and sarcasm!

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